Blood and Borders
RED WATERS: GESTATION AND CONFLICT:
Blood and Borders
Three digitally reimagined photographs portray pregnant bodies immersed in red — the colour of blood, resistance, and the primal earth.
Red Waters of Exile, Blood and Borders, and When Flesh Greets Steel confront war, displacement, and gendered violence through an ecofeminist lens.
Rooted in the thoughts of Hannah Arendt and Noam Chomsky, these pieces question how power manipulates language and normalizes brutality. The pregnant body becomes a contested territory — fragile yet defiant — bearing the weight of crises it did not choose.
Merging photography with digital art, the series invites viewers to face what political discourse conceals: the human cost of conflict, inscribed on the most vulnerable, and the resilience that survives within them.
Blood and Borders
Three digitally reimagined photographs portray pregnant bodies immersed in red — the colour of blood, resistance, and the primal earth.
Red Waters of Exile, Blood and Borders, and When Flesh Greets Steel confront war, displacement, and gendered violence through an ecofeminist lens.
Rooted in the thoughts of Hannah Arendt and Noam Chomsky, these pieces question how power manipulates language and normalizes brutality. The pregnant body becomes a contested territory — fragile yet defiant — bearing the weight of crises it did not choose.
Merging photography with digital art, the series invites viewers to face what political discourse conceals: the human cost of conflict, inscribed on the most vulnerable, and the resilience that survives within them.